nude

Through the Wind Veil

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“Through the Wind Veil” 24×36 oil on panel. Featured in American Art Collector Magazine Nov. 2017 issue.

Blue Frustration #9

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32×40 in. mixed media on board.

Warm Submersion

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“Warm Submersion” pastel and gouache on board, 40 x 32 in.

Window Dreamer

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“Window Dreamer” oil on panel, 30 x 24 in.

Erica

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Erica – 60 x 44 in. pastel and watercolor on canvas.

Fire Bearers – study #1084

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Fire Bearers – study #1084, graphite on paper, 24 x 18 in.

Reclining Nude Sketch #1110

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Reclining Nude Sketch #1110, graphite on paper, 18 x 24 in. Life drawing sketch.

Waterfall Venus Stretch study #442

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Waterfall Venus Stretch study #442, graphite on paper, 24 x 18 in. Composition and figure study sketch.

Christy’s Steps – study #1093

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Christy’s Steps #1093, graphite on paper, 24 x 18 in. Figure pose study sketch.

Holding A Dream

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Holding A Dream #1071, 40 x 32 in. pastel and watercolor on mat board. Finalist in the Art Renewal Center’s 12th Annual International Salon www.arcsalon.org/Salon2016/Artwork/Index/12735#content Featured in American Art Collector Magazine Nov. 2017 issue.

3/4 To Classical

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3/4 To Classical #1066, 25 x 19 in. pastel on paper.

Star Point

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Star Point, 40 x 32 in. oil on panel.

Pride Rock

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Pride Rock #1047, 25 x 19 in. pastel on paper.

Iris Rest

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Iris Rest #1046, 25 x 17.5 in. pastel (Carbothello pencil) on tan paper.

Katja’s Lookout

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Katja’s Lookout #1077, 32 x 22 in. pastel on paper. Featured in American Art Collector Magazine Nov. 2017 issue.

The Calling Study #427

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The Calling Study #427, 24 x 18 in. graphite on paper.

Flower in the City

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Flower in the City #1074, 31 x 32 in. pastel and watercolor on board.

Russian Fashion #1049

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Russian Fashion #1049, 25 x 19 in. pastel on paper.

As Darkness Consumes

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As Darkness Consumes #1069, 40 x 32 in. pastel and charcoal on board.

Hot Pink Backlight

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Hot Pink Backlight #1059, 19 x 25 in. pastel on paper.

Orgasmic Color

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Orgasmic Color #179, 40 x 32 in. pastel and gauche on matboard.

Susan’s Ballet Arch – drawing #1098

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Susan’s Ballet Arch – drawing #1098, 24 x 18 in. graphite on paper.

Figure Drawing #1119

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Life Figure Drawing #1119, 24 x 18 in. charcoal on paper.

Guardian of Life – study #411

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Guardian of Life (Brooke) – study #411, 24 x 18 in. graphite on paper.

Figure Drawing #1116

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Life Figure Drawing #1116, 18 x 24 in. charcoal on paper.

Figure Drawing #1113

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Life Figure Drawing #1113, 24 x 18 in. graphite on paper.

Lisa M. China Camp – drawing #400

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Lisa M. China Camp – figure drawing #400, 24 x 18 in. graphite on paper.

Moonlight Venus – study #1091

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Moonlight Venus – study #1091, 24 x 18 in. graphite on paper.

Figure Life Drawing #1117

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Figure Life Drawing #1117, 24 x 18 in. charcoal on paper.

Brooke – 3 views figure study #410

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Brooke – 3 views figure study #410, 24 x 18 in. graphite on paper.

Asha – figure drawing #1118

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Asha – life figure drawing #1118, 24 x 18 in. graphite on paper.

Desert Drapers Trio – study #1105

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Desert Drapers Trio – study drawing #1105, 24 x 18 in. graphite on paper.

Brooke Moonlight Venus Torso drawing #398

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Brooke Moonlight Venus Torso, 24 x 18 in. Graphite on paper. Featured in American Art Collector Magazine Nov. 2017 issue.

Entourage of Three – study drawing #1086

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Entourage of Three – study drawing, 24 x 18 in. Graphite on paper.

Figure Drawing #1115

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Figure Drawing #1114, 24 x 18 in. Graphite on paper. Standing female nude back view life drawing sketch.

Figure Drawing #1114 Recline Nude

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18 x 24 Graphite on Paper, Life drawing sketch.

Wanted One

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This one of three drawings for the ENCHANTED CREATURES event in Atlanta, GA hosted by Neon Amour. Wanted One, 2011, graphite on paper, 18×24 in. SOLD

Seether

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This one of three drawings for the ENCHANTED CREATURES event in Atlanta, GA hosted by Neon Amour. Seether, 2011. graphite on paper, 16×24 in.

Watcher

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This one of three drawings for the ENCHANTED CREATURES event in Atlanta, GA hosted by Neon Amour. Watcher, 2011. graphite on paper, 16×24 in.

Kinda Evish

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Kinda Evish, oil on panel, 36×24 in. Selected for Oil Painters of America 2016 National Juried Exhibition of Traditional Oils Salon at the Southwest Gallery, Dallas TX. May 13th through June 15th 2016.

Her Tree

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Her Tree, Oil on Panel, 48×20 in. 2012 SOLD

Polynesian Break

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Polynesian Break, Oil on Panel 48×24 in. 2014 Featured in American Art Collector Magazine, Feb 2015

Outdoor Bath

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Outdoor Bath, Oil on Panel, 36×24 in. 2014 • Finalist award in Art Renewal Center 2015 Salon Show! • Featured in American Art Collector Magazine, Feb 2015!

Hide and Seek

Hide and Seek, oil on panel, 24 x 49 in. 2014 Featured in American Art Collector Magazine, Dec 2014

Mediterranean Beach Break

Mediterranean Beach Break, oil on panel, 36 x 24 in.

Reaching Through Blue

Reaching Through Blue, oil on panel, 24 x 49 in. 2014 Selected for the California Art Club 2015 Gold Medal Show

Angie’s Place

Angie's Place, by Matthew Joseph Peak

Oil on panel, 18×23 in.

Stare

This one of three drawings for the ENCHANTED CREATURES event in Atlanta, GA hosted by Neon Amour. Stare, 2011, charcoal on paper, 18 x 24 in.

10:05 Thursday Morning

10:05 Thursday Morning, pastel by Matthew Joseph Peak

10:05 Thursday Morning, by Matthew Joseph Peak, pastel, 19×25 in.

The Seduction of Innocence

The Seduction of Innocence by Matthew Joseph Peak

Soft classically inspired nude.
Pastel, 19 x 25 in.

A Fairy in Waiting

A Fairy in Waiting, oil on panel, 36×36 in. SOLD Available as a Limited Edition

The Letter

The Letter, oil on canvas, 36×36 in. SOLD

Available as a Limited Edition

Whisper of Orange to Ochre

Whisper of Orange to Ochre, pastel, 19×25 in. SOLD

The Room

The Room, by Matthew Joseph Peak

Oil on canvas, 36×6 in.
This painting was accepted in the California Art Club, GOLD MEDAL SHOW

Satie’s Gymnopedies

Inspired by French composer Erik Satie’s piano composition “Gymnopedies” (naked feet) SOLD

Available as a note card

The Calling

The Calling, oil on canvas, 36×48 in. “The Calling of Music” in homage to Bouguereau, an all time hero of mine.

In Between Time

In Between Time, oil on panel, 32×48 in.

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